Forever.
Release Date: 2022-11-09
Runtime: 162 mins
Queen Ramonda, Shuri, M’Baku, Okoye and the Dora Milaje fight to protect their nation from intervening world powers in the wake of King T’Challa’s death. As the Wakandans strive to embrace their next chapter, the heroes must band together with the help of War Dog Nakia and Everett Ross and forge a new path for the kingdom of Wakanda.
162 minutes
2022-11-09
$250,000,000
$859,102,154
Year:
2023
Status:
🏆 Won
Year:
2023
Status:
🎭 Nominated
Read authentic reviews from real viewers about this movie.
See reviews ▼"**Wakanda Forever was an earnest film that tackled some tough themes and honored its hero well but got bogged down introducing vast new worlds and complicated characters.** Wakanda Forever left me with mixed emotions. The respect and love paid to the legacy of Chadwick Boseman were heartfelt, meaningful, and sincere. The movie wisely grappled with the aftermath of T’Challa’s passing on his family and nation. This subject matter created excellent opportunities to dive deeper into characters like Shuri, Nakia, and even M’Baku. Instead, Wakanda Forever primarily served as a vehicle to introduce Namor and Talokan. The film rightfully embraced a more somber tone as it dealt with themes of loss and legacy, but the mournful spirit caused the plot to sag and drag along throughout most of the runtime. Winston Duke offers the little levity the movie had. The cast delivered exceptionally, with Angela Bassett’s performance as the true standout. I liked the movie, but the melancholy approach made it more difficult to really enjoy, and the introduction of Namor and his threat to Wakanda chewed up so much of the story that it was difficult to bring closure to characters struggling with loss and heartbreak satisfyingly."
"**Wakanda Forever was an earnest film that tackled some tough themes and honored its hero well but got bogged down introducing vast new worlds and complicated characters.** Wakanda Forever left me with mixed emotions. The respect and love paid to the legacy of Chadwick Boseman were heartfelt, meaningful, and sincere. The movie wisely grappled with the aftermath of T’Challa’s passing on his family and nation. This subject matter created excellent opportunities to dive deeper into characters like Shuri, Nakia, and even M’Baku. Instead, Wakanda Forever primarily served as a vehicle to introduce Namor and Talokan. The film rightfully embraced a more somber tone as it dealt with themes of loss and legacy, but the mournful spirit caused the plot to sag and drag along throughout most of the runtime. Winston Duke offers the little levity the movie had. The cast delivered exceptionally, with Angela Bassett’s performance as the true standout. I liked the movie, but the melancholy approach made it more difficult to really enjoy, and the introduction of Namor and his threat to Wakanda chewed up so much of the story that it was difficult to bring closure to characters struggling with loss and heartbreak satisfyingly."
"Mourning the unexplained death of King "T'Challa", the tech-rich African nation of "Wakanda" returns Queen "Ramonda" (Angela Bassett) to the throne and she must stabilise the kingdom and try to help her daughter "Shuri" (Letitia Wright) deal with the loss of her much-loved brother. A fireside chat late one night doesn't quite go to plan though, when they are introduced to an interloper. "Namor" (Tenoch Huerta) arrives to ask their help to thwart the Americans who nave managed to design a machine that can trace vibranium, and this has put his hitherto unknown population of underwater, Mesoamerican, people at risk. Either they help him to track down the scientist who created this or there could be war. The Princess and her general head to Massachusetts where they track down a college student who is almost as much of a whizz-kid as "Shuri". The FBI are on soon their trail and skedaddle they must, straight into the arms of the waiting "Talokan" who take them to their beautiful watery homeland where we learn just how they evolved. Somewhat narked, the Queen wants her daughter back and that action sows the seeds for a conflict between the two nations that, well, you can guess the rest. Sadly, that's the problem here. Despite a really strong and vibrant performance from Wright and some very fine production values, there is precious little story here. It is far, far, too long to sustain the thin plot and the conflict engineered between the two races is flawed in more ways than an US Congressional election. The pace is really slow, the combat scenes could have been choreographed by Sir Matthew Bourne - or by a Wakandan cheerleader at their equivalent of the "Superbowl" - and the supporting characters aren't on screen long enough to give Miss Wright enough help to wade through the frequent tedium. I wasn't helped by Huerta's very thick accent which made his dialogue nigh-on impossible to comprehend at times and the denouement screamed sequel so loudly that I forgot that I'd long given up on any jeopardy at the end two hours ago. There is a bit of character tragedy, character loyalty and thankfully Martin Freeman's ("Ross" - why does he need an American accent?) appears but sparingly as we go along but Marvel must stop taking the audience for granted. They have to realise that their gorgeous Avatar-esque visual effects and technical wizardry are not going to entertain us indefinitely if the stories continue to deliver so weakly. Great to look at, a few power-ballads from the soundtrack and Wright is certainly a stylish and classy star - otherwise, this is a film nobody will remember in two years time, I'll bet!"
"Mourning the unexplained death of King "T'Challa", the tech-rich African nation of "Wakanda" returns Queen "Ramonda" (Angela Bassett) to the throne and she must stabilise the kingdom and try to help her daughter "Shuri" (Letitia Wright) deal with the loss of her much-loved brother. A fireside chat late one night doesn't quite go to plan though, when they are introduced to an interloper. "Namor" (Tenoch Huerta) arrives to ask their help to thwart the Americans who nave managed to design a machine that can trace vibranium, and this has put his hitherto unknown population of underwater, Mesoamerican, people at risk. Either they help him to track down the scientist who created this or there could be war. The Princess and her general head to Massachusetts where they track down a college student who is almost as much of a whizz-kid as "Shuri". The FBI are on soon their trail and skedaddle they must, straight into the arms of the waiting "Talokan" who take them to their beautiful watery homeland where we learn just how they evolved. Somewhat narked, the Queen wants her daughter back and that action sows the seeds for a conflict between the two nations that, well, you can guess the rest. Sadly, that's the problem here. Despite a really strong and vibrant performance from Wright and some very fine production values, there is precious little story here. It is far, far, too long to sustain the thin plot and the conflict engineered between the two races is flawed in more ways than an US Congressional election. The pace is really slow, the combat scenes could have been choreographed by Sir Matthew Bourne - or by a Wakandan cheerleader at their equivalent of the "Superbowl" - and the supporting characters aren't on screen long enough to give Miss Wright enough help to wade through the frequent tedium. I wasn't helped by Huerta's very thick accent which made his dialogue nigh-on impossible to comprehend at times and the denouement screamed sequel so loudly that I forgot that I'd long given up on any jeopardy at the end two hours ago. There is a bit of character tragedy, character loyalty and thankfully Martin Freeman's ("Ross" - why does he need an American accent?) appears but sparingly as we go along but Marvel must stop taking the audience for granted. They have to realise that their gorgeous Avatar-esque visual effects and technical wizardry are not going to entertain us indefinitely if the stories continue to deliver so weakly. Great to look at, a few power-ballads from the soundtrack and Wright is certainly a stylish and classy star - otherwise, this is a film nobody will remember in two years time, I'll bet!"
"I just saw this great Marvelesque fresco. Very great show, special effects to cut the breath. But where are the bits of humor that make the Marvels sympathetic, and especially, where is the peaceful spirit of Wakanda? The writers and directors have really lost their way. We feel so strongly the American messages behind this long adventure: the importance of technology, to be a good ally you must submit. It's such a narrow view that it diminishes the pleasure of watching it! Come on, guys from Marvel: you got us used to better than this. Special effects and big budgets are not enough! -------------"
"I just saw this great Marvelesque fresco. Very great show, special effects to cut the breath. But where are the bits of humor that make the Marvels sympathetic, and especially, where is the peaceful spirit of Wakanda? The writers and directors have really lost their way. We feel so strongly the American messages behind this long adventure: the importance of technology, to be a good ally you must submit. It's such a narrow view that it diminishes the pleasure of watching it! Come on, guys from Marvel: you got us used to better than this. Special effects and big budgets are not enough! -------------"
The movie is approximately 162 minutes long.
2022-11-09 marks the official release date of the movie.
The movie belongs to the Action Adventure Science Fiction genres, offering a variety of experiences from adventure to fantasy.
The lead actors include Letitia Wright , Lupita Nyong'o , and Tenoch Huerta Mejía , among others.
The movie was directed by
The movie had an estimated budget of $250,000,000 .
A Cinderella Story grossed an estimated $859,102,154 at the box office.
Major production companies include Marvel Studios .
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