The night no one comes home.
Release Date: 1982-10-22
Runtime: 99 mins
A terrified toy salesman is mysteriously attacked, and at the hospital, babbles and clutches the year's most popular Halloween costume, an eerie pumpkin mask. Suddenly, Doctor Daniel Challis finds himself thrust into a terrifying nightmare.
99 minutes
1982-10-22
$2,500,000
$14,400,000
Read authentic reviews from real viewers about this movie.
See reviews ▼"Conglomerate Carnage. A different animal to the Halloween films that preceded and followed it, Season of the Witch is slowly but surely gaining an appreciation as a standalone horror film. Gone is Michael Myers’ indestructible killing machine, in his place is the nefarious Conal Cochran (Dan O’Herlihy), the owner of the Silver Shamrock corporation that specialises in Halloween masks. Cochran has a sinister plan this year - and it’s deadly - Dr. Daniel Challis (Tom Atkins) and Ellie Grimbridge (Stacey Nelkin) are caught in the middle of the vile plot and may just be the only salvation to Americana. With Nigel Kneale involved in the writing process Season of the Witch is delightfully fiendish. There’s definite barbs being stung here about the commercialisation of holiday occasions, Cochran is intent on restoring Halloween to the true meaning of its origins, creating a Silver Shamrock world order in the process. Kneale would take his name off the credits when the studio tampered with his vision, a shame because his core essence remains - even if Cochran as a Warlock Wicker Man type could well have been genius. With John Carpenter and Debrah Hill over seeing things from their production chairs, the picture had supervision of some standing. Tommy Lee Wallace maybe directing but it feels like a Carpenter movie, from Dean Cundey’s photography - Carpenter’s foreboding synth musical score – and the sharpness of the horror scenes (which are excellent), it’s not hard to see the “non Michael Myers” Halloween series that Carpenter had envisaged after part 2 had been and gone. Boosted by an irritatingly potent advertisement jingle (a Silver Shamrock variation on London Bridge is Falling Down) that counts down the days to Halloween and the day of carnage, Season of the Witch is consistently gnawing away at the senses. Having Atkins and O’Herlihy propping up the acting helps, both are reliable performers for this material, while the race against time finale has edge of the seat credentials. It doesn’t all work of course, there’s some drag and the narrative feels schizophrenic at times, while if it wasn’t for Cundey’s camera work then Wallace’s inept direction of scenes would be over exposed. Yet as it asks Halloween franchise fans some forgiveness for not actually being part of the franchise, it delivers a smart sci-fi horror hybrid that’s not without shock and awe. 7/10"
"Conglomerate Carnage. A different animal to the Halloween films that preceded and followed it, Season of the Witch is slowly but surely gaining an appreciation as a standalone horror film. Gone is Michael Myers’ indestructible killing machine, in his place is the nefarious Conal Cochran (Dan O’Herlihy), the owner of the Silver Shamrock corporation that specialises in Halloween masks. Cochran has a sinister plan this year - and it’s deadly - Dr. Daniel Challis (Tom Atkins) and Ellie Grimbridge (Stacey Nelkin) are caught in the middle of the vile plot and may just be the only salvation to Americana. With Nigel Kneale involved in the writing process Season of the Witch is delightfully fiendish. There’s definite barbs being stung here about the commercialisation of holiday occasions, Cochran is intent on restoring Halloween to the true meaning of its origins, creating a Silver Shamrock world order in the process. Kneale would take his name off the credits when the studio tampered with his vision, a shame because his core essence remains - even if Cochran as a Warlock Wicker Man type could well have been genius. With John Carpenter and Debrah Hill over seeing things from their production chairs, the picture had supervision of some standing. Tommy Lee Wallace maybe directing but it feels like a Carpenter movie, from Dean Cundey’s photography - Carpenter’s foreboding synth musical score – and the sharpness of the horror scenes (which are excellent), it’s not hard to see the “non Michael Myers” Halloween series that Carpenter had envisaged after part 2 had been and gone. Boosted by an irritatingly potent advertisement jingle (a Silver Shamrock variation on London Bridge is Falling Down) that counts down the days to Halloween and the day of carnage, Season of the Witch is consistently gnawing away at the senses. Having Atkins and O’Herlihy propping up the acting helps, both are reliable performers for this material, while the race against time finale has edge of the seat credentials. It doesn’t all work of course, there’s some drag and the narrative feels schizophrenic at times, while if it wasn’t for Cundey’s camera work then Wallace’s inept direction of scenes would be over exposed. Yet as it asks Halloween franchise fans some forgiveness for not actually being part of the franchise, it delivers a smart sci-fi horror hybrid that’s not without shock and awe. 7/10"
"A Halloween movie with no Michael Meyers? Given most of the sequels were dreck, the third outing is an entertaining watch as a Halloween-themed thriller."
"A Halloween movie with no Michael Meyers? Given most of the sequels were dreck, the third outing is an entertaining watch as a Halloween-themed thriller."
"Wait, what? Halloween? I guess Carpenter had the grandiose idea of expanding the franchise to one movie released around Halloween that was kind of about Halloween...the holiday not the movies. Mike did die in Halloween II. It was a good idea, one year, one horror movie, all under the same anthology franchise. Except the audience, after two stellar slasher films wanted Mike, so best laid plans of mice and men and all that. What we got instead of Mike was a movie that would have been a halfway decent stand alone end of the 70s horror film, one that was atmospheric, moody, and though it was too flawed to be big, it would have been a fair enough start to the franchise...it would have made a bit of money for the seasonal scare fair. Except....it was called "Halloween III" and all the publicity in the world wouldn't have stopped the public from expecting Mike. So, "robbed" would be the best phrase to describe how one feels whilst watching this film. Even now after knowing what it was intended to be...still feel a little robbed. And I am a fan of anthology series, I feel it lets writers and directors tell unique little stories that wouldn't otherwise be made. Still, Mike was a slasher and after Fred and Jason, you want to see him keep coming back until you vomit."
"Wait, what? Halloween? I guess Carpenter had the grandiose idea of expanding the franchise to one movie released around Halloween that was kind of about Halloween...the holiday not the movies. Mike did die in Halloween II. It was a good idea, one year, one horror movie, all under the same anthology franchise. Except the audience, after two stellar slasher films wanted Mike, so best laid plans of mice and men and all that. What we got instead of Mike was a movie that would have been a halfway decent stand alone end of the 70s horror film, one that was atmospheric, moody, and though it was too flawed to be big, it would have been a fair enough start to the franchise...it would have made a bit of money for the seasonal scare fair. Except....it was called "Halloween III" and all the publicity in the world wouldn't have stopped the public from expecting Mike. So, "robbed" would be the best phrase to describe how one feels whilst watching this film. Even now after knowing what it was intended to be...still feel a little robbed. And I am a fan of anthology series, I feel it lets writers and directors tell unique little stories that wouldn't otherwise be made. Still, Mike was a slasher and after Fred and Jason, you want to see him keep coming back until you vomit."
The movie is approximately 99 minutes long.
1982-10-22 marks the official release date of the movie.
The movie belongs to the Horror Science Fiction Mystery Thriller genres, offering a variety of experiences from adventure to fantasy.
The lead actors include Tom Atkins , Stacey Nelkin , and Dan O'Herlihy , among others.
The movie was directed by Tommy Lee Wallace
The movie had an estimated budget of $2,500,000 .
A Cinderella Story grossed an estimated $14,400,000 at the box office.
Major production companies include Universal Pictures The De Laurentiis Company .
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