L.A. Confidential

Cast and Crew Members

Cast

Guy Pearce

Guy Pearce

Russell Crowe

Russell Crowe

Kevin Spacey

Kevin Spacey

Kim Basinger

Kim Basinger

Danny DeVito

James Cromwell

James Cromwell

David Strathairn

Ron Rifkin

Matt McCoy

Paul Guilfoyle

Crew Members

Brian Helgeland Screenplay

Brian Helgeland Screenplay

Curtis Hanson Screenplay

Curtis Hanson Screenplay

Awards and Nominations

Audience Reviews

Read authentic reviews from real viewers about this movie.

• John Chard

  Rating: 10/10

  "City of Angels? More Like City of Demons! Curtis Hanson directs and co-adapts the screenplay with Brian Helgeland from legendary pulp novelist James Ellroy's novel. It stars Kevin Spacey, Russell Crowe, Guy Pearce, James Cromwell, Kim Basinger, Danny DeVito and David Strathairn. Music is by Jerry Goldsmith and cinematography by Dante Spinotti. It's 1950s Los Angeles and three cops of very different morals and stature are about to be entwined in crime and corruption... I admire you as a policeman, particularly your adherence to violence as a necessary adjunct to the job. Tremendous film making. Hanson takes Ellroy's labyrinthine story and pumps it with period authenticity and seamless direction, the latter of which sees him garner superlative performances from the cast. This is the side of Los Angeles nobody wants to talk about, it's awash with corpses, hookers, seedy set-ups, violence, drugs, racism and corruption a go-go. And that's just involving the politicians, the press and the coppers! Rollo Tomasi. The absence of genuine heroes on show still further keeps "The City of Angels" covered in dark clouds, where even as the plot twists and turns, as the mysteries unravel and brutality unfurls, the final destination of the principal characters is never clear, thus there's a continuing edge of seat pulse beat within the pic. It's also sexy and dangerous, the dialogue sharper than a serpent's tooth, and while the ending is a little too cosy as opposed to original noir wave conventions, this is pure noir in all but black and white photography. It won only two Academy Awards, Basinger for Best Actress in a Supporting Role and for Hanson and Hegeland for Best Writing - Screenplay Based on Material Previously Produced or Published. Frankly it should have won a dozen or so for it's not just one of the best films of the 1990s, but also one of the best Neo-Noirs ever produced. 10/10"

• John Chard

  Rating: 10/10

  "City of Angels? More Like City of Demons! Curtis Hanson directs and co-adapts the screenplay with Brian Helgeland from legendary pulp novelist James Ellroy's novel. It stars Kevin Spacey, Russell Crowe, Guy Pearce, James Cromwell, Kim Basinger, Danny DeVito and David Strathairn. Music is by Jerry Goldsmith and cinematography by Dante Spinotti. It's 1950s Los Angeles and three cops of very different morals and stature are about to be entwined in crime and corruption... I admire you as a policeman, particularly your adherence to violence as a necessary adjunct to the job. Tremendous film making. Hanson takes Ellroy's labyrinthine story and pumps it with period authenticity and seamless direction, the latter of which sees him garner superlative performances from the cast. This is the side of Los Angeles nobody wants to talk about, it's awash with corpses, hookers, seedy set-ups, violence, drugs, racism and corruption a go-go. And that's just involving the politicians, the press and the coppers! Rollo Tomasi. The absence of genuine heroes on show still further keeps "The City of Angels" covered in dark clouds, where even as the plot twists and turns, as the mysteries unravel and brutality unfurls, the final destination of the principal characters is never clear, thus there's a continuing edge of seat pulse beat within the pic. It's also sexy and dangerous, the dialogue sharper than a serpent's tooth, and while the ending is a little too cosy as opposed to original noir wave conventions, this is pure noir in all but black and white photography. It won only two Academy Awards, Basinger for Best Actress in a Supporting Role and for Hanson and Hegeland for Best Writing - Screenplay Based on Material Previously Produced or Published. Frankly it should have won a dozen or so for it's not just one of the best films of the 1990s, but also one of the best Neo-Noirs ever produced. 10/10"

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