You are cordially invited to the most surprising merger of the year.
Release Date: 1995-12-15
Runtime: 127 mins
Sabrina Fairchild, a chauffeur's daughter, grew up at the Long Island estate of the wealthy Larrabee family enchanted with their sparkling world of privilege and wealth, but she's especially enamored of younger son David, a charming playboy. After the once plain Sabrina returns from a sojourn in Paris transformed into a glamorous young woman, she at long last catches David's eye. In a calculated effort to manipulate David away from her and into a more financially advantageous marriage, formidable older brother Linus devises a plan to keep them apart.
127 minutes
1995-12-15
$58,000,000
$53,672,080
Year:
1955
Status:
🎭 Nominated
Year:
1955
Status:
🎭 Nominated
Year:
1955
Status:
🎭 Nominated
Year:
1955
Status:
🏆 Won
Year:
1955
Status:
🎭 Nominated
Year:
1955
Status:
🎭 Nominated
Year:
1996
Status:
🎭 Nominated
Year:
1996
Status:
🎭 Nominated
Year:
1955
Status:
🏆 Won
Read authentic reviews from real viewers about this movie.
See reviews ▼"**A completely dispensable remake, for many of the qualities it may have, and which it does!** Firstly, allow me to say that I am not one of those who think that there can or should be untouchable films, which due to their value or relevance should never be subject to revisits or remakes. “Sabrina”, the original film starring Audrey Hepburn and Humphrey Bogart, is a renowned classic and its place will never be in question. However, after seeing this modern remake, I can't help but feel that it was unnecessary. Despite being a good film, it can't be better than the original, it isn't the slightest bit different, and it wasn't able to update the original story. I really don't know where Sidney Pollack was able to think this was a good idea. The story of this film, as well as a large amount of the dialogue, are copied from the original onto carbon paper, with almost no essential modifications. In fact, the most striking phrases of the dialogues are all there, the situations are the same. Where the film tries to be better is, essentially, in the high production values and the updating of a series of details without great relevance. For example, young Sabrina no longer goes to Paris to become a chef, but to work as an assistant at “Vogue” magazine. And of course, the sets, the filming locations, the props, everything takes us back to contemporary times and is done with the utmost good taste, from the choice of the mansion to the Larrabee corporate headquarters. And given that Pollack is a renowned and highly prestigious director, it's no surprise that the cinematography and soundtrack are also excellent: he was able to find the best. For example, the soundtrack is written by John Williams and, although it is not a remarkable work by the composer, it still has the quality he has accustomed us to. As for the cast, Pollack also bet on great actors, with solid credits and a solid career in the seventh art. The three main protagonists are Julia Ormond, Harrison Ford and Greg Kinnear, and the latter is perhaps the director's riskiest bet. Ormond and Ford give us, each in their own way, solid and consistent interpretations. However, if in the original film the huge age difference between Bogart and Hepburn was barely noticeable, this was glaring here, and it is extremely bizarre to see Ormond flirting with a man who appears to be her father. And with an aggravating factor: Ford is not, and has never been, an actor particularly suited to romantic plots, it is not a comfortable terrain for him. As a result, Ford and Ormond's romantic chemistry resembles a wall between them. Greg Kinnear does what he can, but doesn't have the strong charisma that is necessary for playboy David. The film also features contributions from John Wood, Nancy Marchand, Lauren Holly and Paul Giamatti."
"**A completely dispensable remake, for many of the qualities it may have, and which it does!** Firstly, allow me to say that I am not one of those who think that there can or should be untouchable films, which due to their value or relevance should never be subject to revisits or remakes. “Sabrina”, the original film starring Audrey Hepburn and Humphrey Bogart, is a renowned classic and its place will never be in question. However, after seeing this modern remake, I can't help but feel that it was unnecessary. Despite being a good film, it can't be better than the original, it isn't the slightest bit different, and it wasn't able to update the original story. I really don't know where Sidney Pollack was able to think this was a good idea. The story of this film, as well as a large amount of the dialogue, are copied from the original onto carbon paper, with almost no essential modifications. In fact, the most striking phrases of the dialogues are all there, the situations are the same. Where the film tries to be better is, essentially, in the high production values and the updating of a series of details without great relevance. For example, young Sabrina no longer goes to Paris to become a chef, but to work as an assistant at “Vogue” magazine. And of course, the sets, the filming locations, the props, everything takes us back to contemporary times and is done with the utmost good taste, from the choice of the mansion to the Larrabee corporate headquarters. And given that Pollack is a renowned and highly prestigious director, it's no surprise that the cinematography and soundtrack are also excellent: he was able to find the best. For example, the soundtrack is written by John Williams and, although it is not a remarkable work by the composer, it still has the quality he has accustomed us to. As for the cast, Pollack also bet on great actors, with solid credits and a solid career in the seventh art. The three main protagonists are Julia Ormond, Harrison Ford and Greg Kinnear, and the latter is perhaps the director's riskiest bet. Ormond and Ford give us, each in their own way, solid and consistent interpretations. However, if in the original film the huge age difference between Bogart and Hepburn was barely noticeable, this was glaring here, and it is extremely bizarre to see Ormond flirting with a man who appears to be her father. And with an aggravating factor: Ford is not, and has never been, an actor particularly suited to romantic plots, it is not a comfortable terrain for him. As a result, Ford and Ormond's romantic chemistry resembles a wall between them. Greg Kinnear does what he can, but doesn't have the strong charisma that is necessary for playboy David. The film also features contributions from John Wood, Nancy Marchand, Lauren Holly and Paul Giamatti."
The movie is approximately 127 minutes long.
1995-12-15 marks the official release date of the movie.
The movie belongs to the Comedy Romance genres, offering a variety of experiences from adventure to fantasy.
The lead actors include Harrison Ford , Julia Ormond , and Greg Kinnear , among others.
The movie was directed by Sydney Pollack Sydney Pollack
The movie had an estimated budget of $58,000,000 .
A Cinderella Story grossed an estimated $53,672,080 at the box office.
Major production companies include Paramount Pictures Constellation Films Mirage Enterprises Scott Rudin Productions Sandollar Productions Worldwide Productions Mont Blanc Entertainment GmbH .